Tag: korista ako

#KoristaAko: Efraime Mallari

 

After a yet another long hiatus, I am back to my blogging mojo!

And what better way for a comeback is to post a new entry in my passion project, #KoristaAko.

Our korista for this edition is quite an interesting ball of musical energy, and I got to meet him for the first time not as a chorister, but a band player. And what an interesting encounter it was, with their band winning the top prize for an international band competition held in our country for the very first time.

So, meet our korista, Efraime Mallari. But first, this video, which I am sure you have seen around Facebook.

NOTE: This funny video is a spinoff of a segment of a late night comedy show. No copyright infringement intended and just for pure korista laughs.

His musical journey is quite interesting, and proves that music heals. He tells of his beginnings as a wind player here.

I joined the band in 2005, playing the clarinet. Hindi ko talaga plano magbanda noon. But it was doctor’s advise for me to study any wind instrument or mag-sports. Pinili ko ang pagtugtog since, music lover po talaga ako noon. Then lumipat ako ng flute nung 2009 and nag-UP ako nung 2010 as Flute Major. Because of competition sa slot sa Orchestra and other opportunities, lumipat ako ng Oboe. Nagshift ako to oboe major since kaunti lang ang oboist sa Philippines. Then ayun po, dagsaan na ang opportunities dahil nga po sa pagiging oboist ko. Kaso nung 2012 po, nagkasakit naman ako kaya ako nagstop. Then nahirapan na ako makabalik so nung gumaling ako, nagwork na lang po muna ako. Teacher sa isang music school for a year then, naofferan ng work sa government so pinush ko na. 2014, naging conductor po ako ng banda namin kasi umalis yung conductor namin papuntang Bahrain, and nagwork naman yung assistant niya sa call center kaya naiwan ako. Nawala din po yung ibang members namin after ng Malaysia Competition namin. At first, ayoko po talaga. Unang una, 20 years old lang po ako nun, pangalawa, nakakapressure po kasi dahil nga po medyo kilala ang banda namin, baka di ko kayanin ang pressure. Plus the fact na puro bata ang mga naiwang members. So as in back to zero talaga halos. Then ayun po, kinaya naman at kinakaya pa rin till now. Paunti unti, sa tulong at support na rin ng mga matatanda naming members, nakaka-ahon ahon. Nakakasali and nakakapanalo rin naman po ng mga competitions here sa Luzon and including sa Davao. Hanggang sa eto nga po, nakasungkit ng championship sa international competition. Sobrang saya po lalu na’t arrangement ko yung ginamit namin sa competition na yun. Cooperation lang po talaga ang key. Lalu po’t sobrang dami namin.

And that arrangement he was talking about is this:

The Citizen Brigade Band of Dasmariñas won the Marching Showband Category of the Bacoor International Music Competition held last June here in the Philippines. I was fortunate to witness this, as I was invited to work behind the scenes for this competition. Such a great place to be in that time, and learned a lot about band music and competitions.

Now let us get to know more about Efraime the korista here in #KoristaAko.

Name: Efraime Amoroso Mallari

Current profession: Office Clerk at Dasmariñas Water District

Choirs joined:
– Francisco E. Barzaga Memorial School Children’s Choir (2004)
– Koro Ecclesiano (2008)
– Dasmariñas Chamber Singers (2016)
– Philippine Vocal Ensemble (2017)
– Sing Philippines Youth Choir (2018)

Why did you join the choir?:
I’m in a children’s choir when I was in grade 5, so I’m already singing when I was young. Singing is my first love and playing instrument just came after that when the doctor advised me to learn wind instrument for my asthma. Since then, I focused on my instrument till college. I took DCPMA major in flute and shifted to oboe in UP Diliman although I’m already a Madz fan since 2007. Then in 2016, I suddenly missed singing in a choir. I love our band but there’s this different fulfillment that singing gives me. So even though it’s hard, pinagsabay ko. I joined Dasmariñas Chamber Singers, then Philippine Vocal Ensemble and Sing Philippines Youth Choir Batch 3 and the rest is history.

What was that something or someone that influenced you?:
The Philippine Madrigal Singers. Since I’m a fan of the Madz since High School, may special part na rin talaga sa puso ko ang singing kahit nakalimutan ko siya after many years of playing instruments. Then came 2016 when I began singing again and kept on singing.

What is your favourite song arranged or composed for choir and why?:
Marami eh pero ang most memorable is Riveder (le Stelle by Z. Randall Stroope). Nagpupunta pa ako sa Computer shop noong high school just to listen to that. Second is “Sa Kanyang Paglalayag” of Ily Matthew Maniano.

What was the hardest piece you’ve studied?:
Lahat mahirap lalo noong kababalik ko pa lang sa choir but the hardest ones are the German lalo na sa bulol na tulad ko.

Any choir/s or vocal ensembles you look up to and why?:
Given na yung Madz. So after Madz, I look up to UPLB Choral Ensemble. Halos lahat ng kilala kong galing UPLBCE have this discipline and every time I hear them, I’m always moved by their singing. The most memorable was the repeat performance of the AOV Choral Fest last year when they sang “Daluyong” which was the obligatory piece that time.

What is your most unforgettable choral moment?:
When we (Dasmariñas Chamber Singers) qualified for the Grand Prix in the 2018 Orientale Concentus International Choral Festival. Maraming mas magagalingsaamin. Marami rin kamingpinagdaananbagomakaalis at habang competition kaya hindisumagisaisipnaminnamakakapasok kami. Also, my experience with SPYC (Sing Philippines Youth Choir–an every other year choral program by the Cultural Center of the Philippines and the Madz) Every moment of it is very memorable.

#KoristaAko dahil:
It opened SO MUCH opportunities for me and may something talaga sa pagkanta na bumubusog sa puso ko. I can’t explain it but it always makes me happy.

 

Em and Ef. At the Bacoor International Music Championships.

#KoristaAko: Kristian Misa

Catching up before the first half of the year ends with blogposts so long overdue! Here is our next featured korista, a nurse based in New Zealand, and a co-actor/singer in one of the CCP productions I was part of, San Andres B.

Choral singing does attract Filipino koristas even when overseas. Kristian is one good proof.

Name: Kristian Albert Misa 
Current ProfessionNurse

Choirs Joined: 
Casa del Nino Children’s Choir
Casa del Nino Choral Ensemble
Himig Sanghaya Chorale
AUIT
Gisborne Chorale Society (New Zealand)
Auckland Chorale (New Zealand)


Why did I join the choir? 
At the age of 3, my aunt taught me two songs by Randy Santiago and she was surprised when I memorised the songs quickly. Back then, my parents were working in Saudi Arabia and my aunt had an idea of recording my voice on a cassette tape so that she can send it to them. After all her efforts to convince me to sing in front of the radio recorder and countless record overlays, she successfully managed to capture my singing voice on the cassette and snail-mailed it to my parents. The last time I listened to that tape was when I was 16 years old and until now I can still remember some of its contents – most of which are just me and my brother teasing our aunts – like asking our mom to send our other aunt a watch with a boxing glove that will punch her whenever she checks the time. Shenanigans aside, this is how my family discovered that I can sing. 

As I grew older and entered 3rd grade, I was drawn to a group of people singing and making harmonies in the music room just across our home room. I remember myself watching and listening to them through the room’s jalousied windows during school breaks. It was inviting; warm; and their sound had a sense of solidarity. At that time, I haven’t got any words to describe the sound I was hearing from the group. I was just entrapped, awed, and magnetised at the sound the choir was producing. Then one day, two of our school’s music teacher (they are identical twins) announced that they are forming a children’s choir and invited our class to join the audition. I was a shy and scrawny little boy and wouldn’t usually put myself in the spotlight unless someone is in the spotlight with me. Luckily, 4 of my classmates decided to join. This, of course, prompted me to try auditioning. After getting through the selection process, I was hooked and had never been not involved in any choral engagements that I have an opportunity to sing for since then. Looking back, I think it is the inexplicable feeling of euphoria you get when you hear music being produced that made me join the choir. 

What was that something or someone that influenced you?
No one in my family sings except myself and my grandmother. My grandma used to sing and dance ballet when she was in her teens. I can tell that she can sing because every night, she always lulls me a kundiman song “Basang Sisiw” which always unfailingly made me cry before I sleep as I literally imagined a lost chick wandering and getting wet in the rain. This, I guess, is where I got my empathy from. My grandmother always tells us to strive to be a better person and hone our skills if we ever discovered that we have one. She is my rock. She influenced a lot of who I am today.

Another person who influenced and introduced me to a higher standard of music is our conductor Katherine Trangco (Ate Katz, as we would call her, also conducts Auit Vocal Chamber Ensemble where Kristian and I first sang together -ed.). She opened my world to contemporary and avant-garde music which I have no difficulties of embracing. She was the one who pushed our choir to persist and aim higher whenever we study a piece. Her method of explaining why the music is written in such a way made us even appreciate and understand it. Her dedication to her craft as an artist and as an academic helped inculcate discipline and open-mindedness to each members of our choir.

What is your favourite song arranged or composed for choir and why?
I have a lot of favourites: Pamugun (Arr. Feliciano), Sat-sat (Trangco), Salitaan (Trangco), Magnificat (Arr. G. Swayne), just to name a few. However, the most memorable piece that I ever had the pleasure of learning is Brahm’s setting of Psalm 51 “Schaffe in mir Gott, ein rein Herz”.  

What was the hardest piece you’ve studied?
Chino Toledo’s “San Andres B” is by far, and without any doubt, the hardest piece I have ever studied. Its non-conventional time signatures, rhythm, and generous minor and major second intervals make it hauntingly difficult. Up until now, I never have imagined how I was able to memorise the whole choral part and some solo parts of the Filipino Opera.

Any choir/s or vocal ensembles you look up to and why?

Original members of AUIT Vocal Ensemble – simply because they’re just not humans.
Philippine Madrigal Singers – two-time European Grand Prix for Choral Singing winners. Emotionally charged interpretations; Musical standards; Range of genre they perform.
King’s Singers – Their sound; Musical Standards; Versatility despite all of them being male.
Ateneo Chamber Singers – Solid mature sound; Sacred music interpretations 
The Real Group – Jazz interpretations
Pentatonix – Pop songs
Swingle Singers – Vocal virtuosi  
Trinity College Choir Cambridge – Balanced voices
Tenebrae Choir – British contemporary music interpretations

What is your most unforgettable choral moment?
That’s when I joined AUIT Vocal Ensemble and premiered the contemporary Filipino opera “San Andres B” by Chino Toledo at the Cultural Center of the Philippines. I think this is my most cherished experience because, as an amateur performer and being a non-music major, I had to give tremendous amount of effort to learn and deliver the choral parts. I also had the privilege to work and perform with the best singers, musicians, actors, stage crews, and directors in the Philippine Theatre Industry.   

My choir now:
I recently just joined Auckland Choral, one of New Zealand’s premier choir. The history of the group extends back to 1855. Now, under the direction of Professor Uwe Grodd, we recently performed Bach’s St. John Passion in German. Being the only Filipino in the choir, I hope I can influence them to sing Filipino Choral Works.

Difference in culture:
All of our members can read music which is not common in choirs in the Philippines. In terms of how inclusive the choir is, we have a blind (soprano) chorister who has her own Braille version of the piece (this has been provided by the choir of course). The musical director also expects you to learn the pieces before you attend rehearsals. Other than what I have mentioned, there are basically no stark differences with regard to choral culture. 

#KoristaAko dahil:
1. Mahal ko ang kultura ng pagiging isang korista. 
2. Ang mga taong nakasalamuha at makakasalamuha ko ay nagsisilbing gabay upang mapaglinang ang aking sarili at sa kalaunan ay maituturing ko nang kapamilya. 
3. Napaigi ang aking disiplina dahil sa proseso ng pagaaral at pagbasa ng mga pyesa. (children, take heed! – ed.)
4. Higit sa lahat – dahil sa Musika.

Our final show for San Andres B (2013) at the CCP Little Theater. Kristian and I were dancing partners as well in this production. Triple threat! Photo by Kamole Orense.

#KoristaAko is powered by Touringkitty. Tune in for the latest post every month. Follow on Facebook, Twitter, and Instagram for updates.

#KoristaAko: Jay and Aui Tamayo

Korista Ako

Hi, Koristas!

Love is in the air, and (sometimes) in some choral groups. I believe this is because love songs in choral settings give more kilig, right?

My husband and I have our own story to share, but I will share that another time. We started from being mere strangers singing in a choir to being partners for life. Yes, I thank God for the gift of singing, because not only did I found a career with it, I found love with it!

And while we’re still celebrating love this February, let us get to know a couple who ended up singing beautiful music together, forever.

Jay and Aui Tamayo had been making beautiful music in a choir since their younger ages, and eventually sang for the same choir in college. Career, marriage, and three children hence, they’re still singing together with one of my favourite groups, the Ateneo Chamber Singers (my husband sings with the group, too), and have been to concerts, trips, and competitions together. Isn’t that great? Let’s get to know them more:

Jay and Aui Tamayo.
Jay and Aui Tamayo.

 

Name: Jay and Aui Tamayo

Current profession: School Administrator/Business-folk

Choirs joined:

Jay: Valle Verde II Village Choir, Ateneo College Glee Club, Ateneo Chamber Singers (ACS) (2001-present)

Aui: St. Paul College Pasig MAC, Ateneo College Glee Club, Ateneo Chamber Singers (2001-present)

Why did you join the choir? What was that something or someone that influenced you? We joined our first choirs because we loved to sing. We still sing with the ACS because we didn’t want to stop singing, we wanted to keep doing something we were passionate about (but was fun) that will keep us sane from crazy work obligations, we wanted to serve God and singing was the best way we knew how, we wanted to keep singing with our friends (some of whom we’ve been friends with for almost 20 years).

What is your most unforgettable choral moment?

Aui: More than the moments of winning in competitions or the applause, it’s when you connect—self with your katabing singer, as a choir, choir with conductor, you with conductor, choir with audience, choir with orchestra, choir with audience & God, you with God. I don’t think there is any medium that can bring people together in such a profound yet inexplicable way as music.

Jay: My top two: Singing for the Pope during his Papal Visit last January and winning at the World Choral Games and having your national anthem played while the flag is being raised.

How is it singing as husband and wife in one choir? Is it harder or easier? It’s easier in some ways, harder in others. It’s easier because you know each other well so you communicate better. Plus you instantly have common friends & time spent together! It’s harder because it’s mixing objectivity/business with personal.

Did you first meet in the choir? Yes, with the Ateneo College Glee Club! Jay was in his senior year when Aui joined in her freshman year.

What’s your favourite choral love song? With You from Pippin

#KoristaAko dahil: Ito ang blessing ni God sa amin—to be both His instrument and be touched when we sing.

Thanks, Jay and Aui, for sharing your choral and love story to us! And to end, they shared with us a throwback photo of them, very significant as this was their first tour together in the choir.

Jay and Aui Tamayo. Circa 1997, which was their first tour together.
Jay and Aui Tamayo. Circa 1997, which was their first tour together.

 

#KoristaAko is powered by Touringkitty. Tune in for the latest post every last week of the month. Follow on Facebook, Twitter, and Instagram for updates.

#KoristaAko: Jhoan Ayos

Korista Ako

Happy (Chinese) New Year! I know, I had backlogs for #KoristaAko. The last quarter of the year had always been busy, busy busy! But it was very musical, and I hope yours was, too.

Now, on with my latest post! Last October, my husband and I (being part of the Philippine Choral Directors Association) were invited to attend a Culminating Recital event of the Plan W Sing Philippines Choral Leadership Program at the PICC in Pasay City. Plan W is a project led by Diageo Philippines, in cooperation with the Andrea O. Veneracion Sing Philippines Initiative.

planw

Plan W participants from all over the Philippines in a culminating choral concert. My voice teacher, Bechie Valena, was one of their voice teachers during the weeklong camp.
Plan W participants from all over the Philippines in a culminating choral concert. My voice teacher, Bechie Valena, was one of their voice teachers during the weeklong camp.

One of the participants is someone I knew prior this project, as our choirs were supposed to be part of one project last year (still hoping for a collaboration in the future!). And we shall get to know her more and her Plan W experience here at Korista Ako!

Photo source: Facebook
Photo source: Facebook

Jhoan Ayos is a budding conductor from Cavite. She handles the Melodic Symphony Children’s Choir, which will be having its concert on February 28. This is the second phase of Plan W, where the choirs of the participating women conductors will showcase what they have learned in a concert-recital in their own hometowns.

Indeed a Dream Come True for these little angels and their conductor.
Indeed a Dream Come True for these little angels and their conductor. Click photo for event details.

She relays, “I started singing when I was five years old, for an Easter Sunday celebration. My cousins eventually asked me to join the choir. I continued, but they didn’t.”

“Almost three years ago, Fr. Ariel Lisama, a priest in our church, asked me if I could teach the kids. I accepted it and thought it was easy, but it wasn’t. That decision changed my life.”

Her choral heroes include Mark Carpio of the Philippine Madrigal Singers, who is also the Artistic Director of the Plan W Sing Philippines Program. She describes the Madz Choirmaster as musically gifted, very kind and patient, and exudes good vibes all around (wait, he’s my conductor, too! And yes, he is these ;D). Another is Steve Collado, her conductor in CVSU Pansayang Sining, which had brought her to places, as well as the Madz et al Choral Festival. Another conductor favourite for her is Davidson Sy, her church choir conductor, who taught her the meaning of service. She said she experienced singing for four Masses straight when they were the only choir at that time in their parish. It may be tiring and unrewarding, but she still enjoyed serving for the Lord.

I asked her more questions about the Plan W. Here is a Q and A we did over Facebook (edited some parts for clarity and conciseness, but retained most Filipino parts):

TOURINGKITTY (TK): How was the overall experience?
Plan W Sing Philippines has been a life changing experience for me. It made me realize that music is really my calling and made me ask myself, what took me so long? I once dream of inspiring people. Little did I realize I am already inspiring the children I am teaching through singing and serving. I felt so grateful and blessed to be chosen as one of the 34 scholars around the Philippines. I knew God has a purpose why I was able to be part of this a once in a lifetime experience.
I am so honored to be able to attend training with the finest mentors in the field of singing. Araw-araw siksik, liglig at umaapaw ang learnings from the mentors. They have different styles of teaching but then all of them are effective. Namamangha ka na lang na yung mga inaaral ng matagal sa schools and other trainings nagawa ng mga mentors na isqueeze sa time allotted for them. Aside from the technical stuff, there were also lots of inspiring stories from the mentors. Yung good vibes ang lakas makamagnet effect. Mapapasabi ka na lang din na ang sarap mangarap! Na someday you can experience kahit ilan lang sa mga stories na shinare nila.

Aside from the passion and love for music there is one more thing in common among all the mentors: they are all humble. Iba talaga yung galing na may kasamang right attitude.

My experience would not be the same without my co-scholars. We came from different parts of the Philippines. The youngest is 18 and the oldest is 60 but we share the same passion for music. I was roommates with Ate Vivian from Capiz and Ate Laarni from Butuan City. They made my stay more enjoyable. All 34 of us were able to have bonding moments also from breakfast to breaks and even going out at night. I love how we shared insights, knowledge and experiences. Most of them have many years of experience but never did I feel any competition. We were able to build friendships from the week long camp (Oh my I miss them) but until now most of us are still connected through social media and text messages.

 

TK: What were your most favourite part/s of the one week program and why?
The whole experience was memorable, though my favorites were:
Day 01 – I was so excited and at the same time so nervous. Before going to UP some of the parents of the kids I am teaching said “galingan mo Jho umaasa sayo ang mga bata.” It was both negative and positive for me. Positive because I know they are just wishing me well, negative because I can feel the pressure. Upon arriving at the hotel I was able to meet my co-scholars. Hearing all their experiences I was like, “Bakit ako nandito? Dapat ba ko dito?” Comparing my background to them, it was nothing. I cried on my first night and prayed. I was crying at comfort room thinking I am letting the kids down kasi hindi ako makasunod sa tinuturo ng mga mentors tapos maalala ko pa sinabi ng parents ng kids. Here comes my favorite part. While reviewing at the hotel one of my roommates, Vivian Berjamin from Capiz came to me and asked alin ba yung hindi mo maintindihan? baka matulungan kita nagbiro pa sya saying “akala mo naman magaling ako eh no” sabay tawa. Just a few minutes after my silent prayer, God gave me the answer. That gave me so much hope that’s why the next days have become more fun and easier to understand. This training is not just about the best mentors sharing their knowledge to us. It is also about us scholars sharing our experience and knowledge.

Day 07 – Culminating concert. I love performing and after 3 years I was able to perform again. A day before the concert, I have some tunes and lyrics on my mind then I started to arrange it. My co scholars ate Gisella from Imus Cavite, Ate Marife from Laguna and Ate Love from Las Pinas helped me to finish the song entitled “Sing Philippines.” It was my first composition and was shocked when Sir Mark told us, “you should sing this in the concert”. Seeing my choir members and my family during the concert was so priceless! Hearing my youngest brother shouting “Ate ko yan!” sobrang sarap sa pakiramdam. To be able to see how the audience liked our performance and some of them telling us thank you for insipiring us, grabe! Speechless kami! (Check out the video at the end of this post!)

TK: Three things (or more, or less) from your mentors that you think will be very useful for your conducting career.
“The Backbone of the music is the text” – Teacher Malou Hermo
Sometimes we tend to focus on the melody of the song. Maganda nga yung tunog pero yung text hindi na maintindihan. We should give importance to both.

“Teach music the way it is developed” – Teacher Joy Nilo
There are different ways on how to teach music but for them to understand music deeper you should teach on how it was developed.

“The most important discipline in the art of singing is breathing” – Sir Mark Carpio
All of us know how to breathe but only few know the proper way to breathe.

TK: Where will this training lead you to?
This training gave me empowerment, hope and more determination which leads me to dreaming many things for my choir. I want to learn more about music and share more to other people. I will continue what I have started. Two weeks after the training I already see improvements of how I rehearse with my choir and will still continue to improve in the coming days, months and years. It made me dream big for my choir. I want the kids to experience many things about performing and music.

TK: Anything you’d like to say to female conductors like you who aspire to be better at what they’re doing?

I started as “walang alam” in music, just the passion, kaya minsan na din akong napanghinaan ng loob pero hindi pala dapat. When you’re doing the right thing all problems, struggles are just temporary. God will provide! Tiwala lang dapat at wag susuko. Most of the time we conductors don’t realize how much we inspire our choir members. We fail to realize how they give importance to whatever knowledge we impart to them. Sometimes you’ll be shocked to hear them say “gusto ko din pong maging katulad nyo”. Our simple wish to share what we know caused chain reaction to our members to their future members. Keep the passion burning! Let us continue to share and inspire other people. You are on the right track! Keep going!

Thank you, Jhoan, for sharing your thoughts! We learned a lot from your stories, and we, too, can’t help but to feel proud of what you have achieved in those days.

If this is not enough, then check this. She even managed to write a theme song of the project, which, along with her co-participants, was performed during the culminating activity! Watch video here.
Sing Philippines buong Bansa tayo’y umawit
Sing Philippines musika sa puso natin
Dadating ang Araw, kapayapaa’y makakamtan
Kababaihan! Ating simulan.

Sing Philippines

Jhoan Ayos, composer

 

#KoristaAko is powered by Touringkitty. Tune in for the latest post every last Wednesday of the month. Follow on Facebook, Twitter, and Instagram for updates.

 

#KoristaAko: Touringkitty

Yup, that's my choir there!
Yup, that’s my choir there!

And yes, just because it’s my birth month, it’s my turn to answer for #KoristaAko! I realised I wasn’t even able to answer these questions for myself, so this should be fun.

For those who are not yet aware, Korista Ako has a Facebook Group Community already! Shoot me a private message at www.facebook.com/touringkitty so I could add you up.

Here we go!

In my most recent trip last June 2015. So glad to have done this again, and grateful for the opportunity.
In my most recent trip last June 2015. So glad to have done this again, and grateful for the opportunity.

Name: Mary Louise Macanaya Alcantara. Call me Em, or Touringkitty!

Current profession: Musician, educator, homeschooling mom, beautiful wife of a writer/CorpComm Manager/tenor chorister, church volunteer, choral conductorLATCH Breastfeeding Peer Counselor, Contributing writer (PraySing Ministry, The Master Newsletter), Social Media Manager, part-timer in a lot of things.

Choirs joined: Blessed Elena Academy Glee Club (Grade school to high school), Mater Dolorosa Chorale (high school to college), Entwined Voices, Shrine of Jesus Music Ministry, Philippine Madrigal Singers, and many more wherein I was invited to be guest chorister.

Why did you join the choir? What was that something or someone that influenced you?: My mom would always sit near the choir when we go to Mass, so that’s probably my first exposure to choral music. The members of a particular group invited me to join them when I was in junior high, and I have been “choiring” for half of my life now. I really am amazed at how many voices can sound good together, and am always in awe when I hear choral music. The artistry, musicianship, hard work put into each chord really is commendable.

Another perk I got from joining choirs is traveling–for free! I must say, God led me to singing with choirs to experience His wonderful creation, and for that I am very thankful. Our first chorus class in college brought us to Baguio and Laguna for a concert tour of the UP College of Music. Another choir invited me to join their concert in Mindoro, still during college. Then came the Madz, where I was able to travel A LOT (three times in Europe, two in the US and some Asian countries, and all over the Philippines) AND join milestone competitions (and actually winning them!). And just recently, I was invited to join a performing group in a trip to Europe to participate in an important festival in Prague, and concertise in a couple more countries.

What is your favourite song arranged or composed for choir and why?: My favourite is Prayer of St. Francis (Delgado). Its arrangement always gets into my heart, and it’s my favourite prayer, too.

What was the hardest piece you’ve studied? Probably this one, which we had to memorise! This is A Day in Spring, a Korean contemporary choral music setting. There were quite a number of actions/facial expressions which the composer wanted us to execute. Watch this video and listen how one beautiful spring day sounds like.

Any choir/s or vocal ensembles you look up to and why?: Local: Madz, Ateneo Chamber Singers, The Company, among others. Foreign acts: Swingle Singers, King’s Singers, The Real Group, etc. Among the younger ones would include Acapellago, Pentatonix, and Cimorelli. I particularly liked these groups because of their musicality and the varied repertoire they all know.

What is your most unforgettable choral moment?: When Sir Mark (Carpio, Madz choirmaster) assigned to me a very important task in the Madz–pitchgiver. We were in the tour already, and were hosted, so he made a call to my hosts’ home phone, and there he told me the beginning pitches of that night’s repertoire. The rest, as they say, is history. I am so grateful for that trust he gave me, despite my fears and doubts and uncertainties.

#KoristaAko dahil: Lahat ng Pilipino kayang maging korista! Mas masaya kumanta kapag sama-sama.

 

 

#KoristaAko is powered by Touringkitty. Tune in for the latest post every last Wednesday of the month. Follow on Facebook, Twitter, and Instagram for updates.

#KoristaAko: Carlo Zenarosa

Korista Ako

Nurse by day, chorister by night (and perhaps weekends). This is no unusual set up, and I really admire people who can fulfill both professional and artistic aspects of their lives.

I know there are many a Filipino choral groups abroad, and it is such a great thought that Filipinos in all corners of the world don’t stop making music! Here is our next Korista Ako feature, a Filipino nurse and chorister who now resides in the US, Carlo Zenarosa. Carlo is currently a member of the United Nations Singers, composed of choristers of different nationalities, who recently had goodwill performances in Japan.

Korista of the month, Carlo Zenarosa. Photo credit: Carlo Zenarosa.
Korista of the month, Carlo Zenarosa. Photo credit: Carlo Zenarosa.

Name: Carlo Zenarosa

Current profession: Registered Nurse

Choirs joined:
1. De La Salle College Grade School Choir
2. Class choirmaster 1st year HS for inter-year Christmas choral competition.
3. Musica Armonica Youth Ensemble (with Madz alumna Bernadette de Leon choirmaster)
4. San Lorenzo Ruiz Choir of New York 2010-current (with Leo Leal and Enrico Lagasca as choirmasters with founder-original choirmaster)
5. United Nations Singers 2015-current.

Favourite song arranged and composed for choir: He mentioned a number of songs, but among these his most favourite would be Take and Receive, an Ignatian prayer.

Hardest piece to study: Cayabyab’s Anima Christi

Choirs I look up to: Madz, UST Singers, King’s Singers, Manhattan Transfer

Most unforgettable choir moment: Impressing Cardinal Tagle at a mass presented with an honorary degree in Fordham University. Unable to get a picture while in the choir section, the archbishop leaves after mass with the crowd. The choir decides to take a group shot while the jam-packed church guests go to reception. Cardinal Tagle left his entourage, comes out of nowhere and joins the choir for the group picture. #floored #humbled #selfie

This was the photo he was talking about, with our beloved Cardinal!
This was the photo he was talking about, with our beloved Cardinal!

#KoristaAko dahil: Naniniwala ako na ang musika –sa kalawakan ng genre at classification — ay may mga kanta na mas maibabahagi lamang sa samahan at areglo ng mga boses ng iba’t ibang ranges o seksyon.

The United Nations Singers in their most recent performance in Hiroshima, Japan, August 2015.
The United Nations Singers in their most recent performance in Hiroshima, Japan, August 2015.

Thank you, Carlo for sharing your thoughts! What a great way to represent one’s nation than with song.

 

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