RAFFLE: Read up to the end of this post to WIN tickets for this concert!
Women guitar power in this upcoming concert dominates. Japanese Sachiko will be joined by rising female guitar trio, Triple Fret. See more below.
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In celebration of the 60th year of Philippines-Japan Friendship
The Independent Philippine Art Ventures, Inc. together with Japan Foundation Manila
proudly present REVERIE: A Classical Guitar Concert Featuring Sachiko Miyashita
June 23, 2016
7:30PM
Ayala Museum, Makati City
With Special Participation of TRIPLE FRET
Ticket Prices:
P2000, P1000 & P500
*50% student discount for non-patron tickets
Tickets are available online at www.ticketworld.com.ph
For ticket reservations and inquiries, please contact us at +63927-770-7833, or email us atipavinc@gmail
SACHIKO MIYASHITA
Born in Sapporo, Japan. Miyashita began playing guitar at the age of seven.
Miyashita graduated from Hokkaido University. In 2003, she received a Diploma de Merito from Academia Musicale Chigiana in Siena, Italy. She studied guitar performance under the tutelage of great guitarists – S.Fukuda, O.Ghiglia, E.Fernandez, P.Steidl, D.Russell and F. Cuenca.
In 1991, she bagged the 1st prize in the Classical Guitar Competition (Tokyo), and won 2nd prize in the 2002 Andres Segovia International Competition (Spain). In addition to her domestic concert schedule, she gave concerts throughout Spain, France, Germany, Italy, the Czech Republic, U.S.A., Korea, Thailand, Philippine – 26 cities in eleven countries. She has attended many guitar festivals as soloist and juror, in Europe and Asia.
Miyashita is a recipient of the Sapporo City Outstanding Artist Award, and also a recipient of the 20th Hokkaido Bank Art Culture Award. Her latest CD Le Depart was selected as “choice CD” in Record Geijutsu Magazine and topped the Yahoo! Japan sales rankings.
She is an instructor at Sapporo Otani University – Department of Arts, and is a member of the Japan Federation of Guitarists.
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And here’s the raffle, for a chance to win two tickets each for her concert:
The beauty of Russian Romanticism is that it’s hard to pin down. Sensuous in certain parts, exuberant in others, it is both textured and simple, intense, but controlled. To define it into a word or a phrase is a disservice to its identity and heritage; so what better way to showcase the true qualities of this genre than by attempting to breathe life into it?